Wild, impetuous, controlled-uncontrolled album from the Swabian noise rock bubble. Also there is Julian Knoth from Die Nerven, as well as his younger brother Philipp, who was already behind the kit for Die Nerve and Karies, and who here hectic, detached and wild puts on an impressive, eye-catching freeform performance, and the multi-instrumentalist and singer Paul Abbrecht alias Sloe Paul and Mari Schwingel (visual). Avant-garde noise rock with German-language sentence fragments that are often delivered like a mantra, which develop a certain urgency through intensifications and slight changes. But actually the main focus is on the drumming, along with atonal bass lines with post-punk appeal, trumpets blowing into eternity, electronic textures with references to dub, electro and drone. An unabashed, very free album that sounds like German No Wave and approaches jazz in the style of the Knitting Factory and, despite all the experimental gestures, develops a hell of a groove. Produced by the liveliest producer of his generation, Max Rieger (The Nerves, All This Violence).
