More 45's soon followed in '67 and '68, with Gary creating the Groove label that would release The Hazards "Hey Joe" (one of the best versions from the late 60's garage explosion), King Edward & His B.D.'s "Beg Me" (a snappy garage/soul hybrid with horn section), and the monster soul cut "Gotta Be a Reason" from Bernard Smith & Jokers Wild. Trips to Virginia Beach resulted in a 45 on the appropriately-dubbed Beech label for Group Nine, early adopters of a psychedelic rock sound reminiscent of Jefferson Airplane. Summer 1968 found Gary and The Barracudas reuniting and moving studios to Recordings, Inc. near Baltimore, with now legendary engineer George Massenburg. This session produced "Days of a Quiet Sun", The Barracudas' heavily psyched-up take on a Group Nine original with Massenburg on Moog synthesizer (one of the first units on the East Coast!). "Days" was backed with "Apple Pie" on 45 and released in late '68 on Satori, the last of Gary's short-lived labels. Following "Days", Gary produced a demo session for Richmond's Bosom Blues Band - an amazing bluesy hard rock group that nearly signed a major deal with Capitol Records.
"Days of a Quiet Sun" collects the best of Martin Gary Productions, including several unreleased (like a '73 outtake from notable fingerpicking guitarist Duck Baker) and alternate takes, all professionally transferred and remastered from the original sources. "Days of a Quiet Sun" shines a light on the raw energy and musical colors that swept through Virginia in the late 60's, most of which hasn't been available in over 50 years.