There's something particularly pleasing about a privately pressed record. The artist or musicians involved have wanted these recordings to exist with such conviction that they've been willing to fund it themselves; the result is either a vanity project or something rather special.
Steve Warner's eponymous 1979 debut falls firmly into the latter. Steve managed to record, produce, mix and manufacture what would be come to be his only recorded output .
Nick Armstrong at the legendary Spectangle Studios - also where Howard Eynon recorded am' - was there to assist and the album was eventually managed by Tasmanian label, Candle.
Running to 13 tracks, 11 of which original compositions, this album of delicate folk songs, madcap ditties and more psychedelic orchestrated pieces feels incredibly accomplished for what was basically a one man show.
For fans of Dennis Wilson, Roedelius, The Bonzo Dog Doo Dah Band and Elliott Smith.
Steve Warner's eponymous 1979 debut falls firmly into the latter. Steve managed to record, produce, mix and manufacture what would be come to be his only recorded output .
Nick Armstrong at the legendary Spectangle Studios - also where Howard Eynon recorded am' - was there to assist and the album was eventually managed by Tasmanian label, Candle.
Running to 13 tracks, 11 of which original compositions, this album of delicate folk songs, madcap ditties and more psychedelic orchestrated pieces feels incredibly accomplished for what was basically a one man show.
For fans of Dennis Wilson, Roedelius, The Bonzo Dog Doo Dah Band and Elliott Smith.
