Dots and Loops was Stereolab’s fifth studio album and the first to completely ditch the motorik drone that had been a trademark since their inception; predominated by lush lounge and jazz textures, it showcases the band’s most complex set of rhythms yet and was produced by Mouse on Mars.
"The album was recorded in Chicago and Düsseldorf and bridges a unique electronic influence and a new rhythmic approach that separates Dots and Loops from most of the band’s previous output.
Bossa Nova and ’60s Euro pop are still major touchstones and give the album a deceptively light vibe; however, further listens reveal an elaborate work, with almost every track featuring odd time-signatures and more complicated and layered arrangements. “Parsec” is space-rock meets drum and bass; “Brakhage” marries a minor key bass line to clinking vibes and a shuffling beat; the segmented, 20-minute “Refractions in the Plastic Pulse” is sunny and appealing, yet intricately constructed.
The dividing line between the band’s first phase and what would be its more experimental latter period, Dots and Loops is the type of album that reveals its charms over many listens and is the one Stereolab aficionados point to as the band’s best work."
