SOPHIA KNAPP’s Into the Waves is unlike any record you have heard in the past or will hear in the future. Upon listening, much like Alice in Wonderland, you are transported to a new sonic realm—dazzling and uniquely pop but with its own set of rules. Some elements of the landscape are warmly familiar: Sophia’s voice appears first and foremost—sensual, emotive, relaxed, and loaded with personality. Baroquely fingerpicked guitar, smooth piano, crystalline synths, and a down and dirty rhythm section complete the picture. Aspects of this place bring to mind melodic psych pop of the ‘60s, Tropicalia ballads, chilly New York dance records of the ‘80s, the seduction of Stevie Nicks or Françoise Hardy—but make no mistake, Into the Waves is a pop vocal record of our time. Into the Waves is Sophia’s first record outside of CLIFFIE SWAN/LIGHTS, the Brooklyn based rock band that she has performed in over the past five years alongside Linnea Vedder. A blend of acoustic and synthetic instruments frame Sophia’s cinematic song structures this time around, in contrast to the electric/analog paradigm of Cliffe Swan. The mystical elements of Cliffe Swan continue to flow through this record, as do Sophia’s signature harmonies and layered vocal arrangements. Gentle ballads here are underlined with hip shaking grooves and sparkle sounds, and the lyrical content is more detailed and intimate. Tales of love, magic, and transformation rub shoulders with themes of alienation and loss. The mysterious words, studded with metaphors, demand repeated listens to decode. Features vocal contributions from BILL CALLAHAN on two duets
