Bake Haus itself a kind of deconstructed slow-jam. In between you can find post-rock, static, and malfunctioning computers. Robertson plunges tracks, sounds, styles, and moods together here into a continuous piece of music, where the individual tunes are less important than the way in which they're strung together. It makes for a short, visceral and, at times, beautiful suite of music which should establish Offshore as a key name in new electronic music and further build interest in his full full-length (this only being a palette-whetting mini-album) which is due next year.
