Minimal in means yet expansive in effect, the music slowly unfolds like beads on a thread, punctuated by silence and deep breaths. Bellows whistle within feathered string harmonics, interference patterns pulsate throughout the chapel, and the environment itself becomes part of the composition, with ringing church bells and motorcycles passing in the distance.
Performed live in single takes, the music balances patience and intensity, composure and chance. The collaboration reveals new terrain: more tonal and composed than Bordreuil’s work, more textural and raw than Malone’s.
Music for Intersecting Planes is both severe and tender, an elemental convergence of cello and organ that resonates with the timeless intrigue of acoustic phenomena.
Released by Ideologic Organ in collaboration with La Becque Editions.
