Talking about Gabriella Cohen requires a new adjective: when she tells you about a guitar tone she likes, an organ sound she’s looking for, or the opening bars of The Velvet Underground’s ‘I Found a Reason’, she might tell you these things sound ‘pink’. She’s not describing a synesthetic or aesthetic connection with the colour — instead, it’s an adjective she’s coined, all her own. Luckily, after a spin through Cohen’s debut album Full Closure and No Details, we’ll all know what ‘pink’ sounds like: it sounds like this. It sounds like heartbreak and reckless abandon, like quiet reflection and raucous teamwork.
Cohen’s first solo full-length is the product of ten days and two microphones. Co-produced alongside close friend, bandmate, and engineer Kate ‘Babyshakes’ Dillon, the record is the result of what Cohen describes as the “ceremony” of reflecting on a relationship. The album’s raw, personal side could be traced back to its place of birth at Dillon’s parents’ place in the country, or to the Brisbane streets the songs were composed in. The songs are soaked in the kind of aching nostalgia that is tinged with equal measures of sadness and triumph. On “I Don’t Feel So Alive”, Cohen warns: “This could be the last time we get together”, and on one hand it’s melancholy, but it’s in the spirit of endings that are also beginnings. After finishing the record, Cohen and Dillon hit the road down Australia’s East Coast, from Brisbane to Melbourne, a truck full of instruments and gear following in their wake.