Ryan Patterson has spent over two-and-a-half decades adding to the town’s legacy with his impassioned and activist-minded approach to punk, his rigorous work ethic in the local music scene, his distinctive graphic design work, and his contributions to nearly every aspect of DIY culture. After twelve years fronting the forward-thinking art-inflected punk outfit Coliseum, Patterson looked to the urban centers of London, New York, and Berlin for new sonic inspiration, drawing from the passion of his hardcore roots while tapping into the sounds of classic EBM and post-punk artists for FOTOCRIME.
On his third full-length “Heart Of Crime”, Patterson continues to explore what he refers to as “electric Southern romanticism.” It’s an album that throbs with pulsing synths, hammering drum machines, and economic guitar hooks. Where so many artists have leveraged these tools towards stern stoicism, Patterson had a different objective for their emotional resonance.
On his third full-length “Heart Of Crime”, Patterson continues to explore what he refers to as “electric Southern romanticism.” It’s an album that throbs with pulsing synths, hammering drum machines, and economic guitar hooks. Where so many artists have leveraged these tools towards stern stoicism, Patterson had a different objective for their emotional resonance.
