The first comprehensive publication on his work focuses on his "intermedia" work between Düsseldorf, West Berlin and New York in the late 1960s to 1980s. During this period, the Beuys student and sculptor Konrad Schnitzler developed into the Zodiak founder and electronic musician of Kluster and Tangerine Dream, into the busy video and performance artist "Konrad von Berlin" and finally into the internationally connected sound artist and musician Conrad Schnitzler. Contributions by Alexia Ciosses, Geeta Dayal, Gregor Jansen, David Keenan, Florian Meier, Stefan Schneider and Linnea Semmerling bear witness to Schnitzler's importance at the intersection of visual art and electronic music, cassette culture and mail art, video and performance, action and installation, which transcends borders in every respect.
