Anadol represents Gözen Atila’s liberation from a rather academic approach to electronic composition which she pursued during her music technology studies in Istanbul. She calls her education the „darkness of serious music“ where she first tried to belong, then to break free with the help of lo-fi synth pop. As a producer of radio plays and an expert field recording artist she has developed a distinct sense of timing, editing and sound design. Her Anadol project walks in the footsteps of lone synth experimentalists like Bruce Haack and The Space Lady with their childlike curiosity for electronic sounds, pushing the boundaries of minimal equipment. On Uzun Havalar she translates her experimental background into these floating folk ballads. The album was originally released on tape via Kinship in 2018.
"Every time we play it out or on the radio someone asks about it. It’s a close listening staple, a world I can’t stop falling into, perfect head music. I think the secret lies, as it so often does for me with new music, in a perfect balance of reference and invention. There are familiar elements - the storytelling in sound of Laurie Anderson, the Dada folksploitation of Aksak Maboul, Berlin school synth romance and Anatolian pop Melodies. But there’s something in the feel and execution I’ve never heard before." (Time Is Away)