"Low key but really cool. Hard to believe it's an NYC piece from '72 from a sonic aspect. There's a kind of innocence to overall heft that puts me in mind of very early Bay Area stuff, like the second We Five LP (1967). That same sort of psych-is-hanging-unnamed-in-the-background vibe. The only thing that really places it in the '70s is that pedal steel which has a definite post-Sneaky-Pete feel. Very cool." -- Byron Coley
"Low key but really cool. Hard to believe it's an NYC piece from '72 from a sonic aspect. There's a kind of innocence to overall heft that puts me in mind of very early Bay Area stuff, like the second We Five LP (1967). That same sort of psych-is-hanging-unnamed-in-the-background vibe. The only thing that really places it in the '70s is that pedal steel which has a definite post-Sneaky-Pete feel. Very cool." -- Byron Coley