The album is bookended by field recordings overlaid with minimalist guitar laments. The first, a spring thrum of sparrows and red-winged blackbirds, functions as an invitation to the elegies which follow, while the last, the late-August drone of cicadas returns us to a life of sweat on the skin, sirens in the distance, and the things we cannot change but must somehow accept. In between these instrumentals, Joyner grapples with regret and fear, shame and love. From the opening song, “I’m Taking You With Me” to the gut-wrenching remorse of “My Lament,” Joyner lays bare the struggles of those left in the wake of personal devastation. On the title track, we hear Joyner perform an elemental incantation, a heartbroken ode infused with forgiveness. The final song of the album, “There Will be a Time,” is a meditation on a future where such suffering, both personal and universal, might be softened by understanding.
In creating an album of such intimacy, Joyner reminds us of the importance of using art to alchemize the deeply personal into transformative beauty. Throughout the album we are invited to stand with him in the aftermath and have our own hearts crack open. Coyote Butterfly is a beautiful evocation of a father’s grief but also serves as an enduring testament to love and the life that endures after loss.
The musicians playing alongside Simon on Coyote Butterfly are among his closest friends; David Nance, James Schroeder, Kevin Donahue, Ben Brodin, and Michael Krassner. It’s thanks to their sensitive arrangements and loving support that the songs on Coyote Butterfly could be performed and documented.