Schatterau’s third album, 'Wir gingen durch leere Stunden' (We went through empty hours), sees the German duo blossoms with beauty and sophistication through a broad creative language.
This opus, presented in the form of vivid auditory tableaux vivants, explores the topography of memory as a landscape in constant motion—full of loops, feedbacks, and mirage-like distortions. Sounds climbing like vines over old walls, concealing details only to reveal new ones. Some pieces feel like fragments of a dream whose origin has vanished, others like displaced echoes of a day long gone.
Memories create paths that only become visible in retrospect—detours that somehow always lead back to oneself. Each track draws the listener into a different recollection, as if opening an old door. Inside, time behaves strangely: it jumps, stretches, and repeats.
‘Wir gingen durch leere Stunden’ ultimately presents Schatterau at their most experimental, complex and measured extremes, channelling ambiguous human emotional resonance ranging from melancholy to pure ecstasy.
This opus, presented in the form of vivid auditory tableaux vivants, explores the topography of memory as a landscape in constant motion—full of loops, feedbacks, and mirage-like distortions. Sounds climbing like vines over old walls, concealing details only to reveal new ones. Some pieces feel like fragments of a dream whose origin has vanished, others like displaced echoes of a day long gone.
Memories create paths that only become visible in retrospect—detours that somehow always lead back to oneself. Each track draws the listener into a different recollection, as if opening an old door. Inside, time behaves strangely: it jumps, stretches, and repeats.
‘Wir gingen durch leere Stunden’ ultimately presents Schatterau at their most experimental, complex and measured extremes, channelling ambiguous human emotional resonance ranging from melancholy to pure ecstasy.
