Written during a residency at Zaragoza's FUGA space, Kill unfurls as a captivating and unnerving three-part suite, which as Bence explains, "tells the story of a murderer who kills his lover, commits suicide and then accelerates towards God to be judged". Throughout Bence sings like a man possessed, shifting from aching operatic vocals and Gregorian chant to chilling screams, with symphonic instrumentation pounding, swelling and resolving into transfigurative calm behind him.
Written during a residency at Zaragoza's FUGA space, Kill unfurls as a captivating and unnerving three-part suite, which as Bence explains, "tells the story of a murderer who kills his lover, commits suicide and then accelerates towards God to be judged". Throughout Bence sings like a man possessed, shifting from aching operatic vocals and Gregorian chant to chilling screams, with symphonic instrumentation pounding, swelling and resolving into transfigurative calm behind him.