There are usually three types of bands: those which play music that’s largely derivative, those that, by some stroke of luck, produce something partially fresh if not original among the derivative mass, and then there are artists who have true in-depth un- derstanding of the musical paradigms of the scene they’re a part of, and who use that intel to create something truly special. Switzerland-based atmo- spheric groove metal quartet Herod fall in the latter category.
“I’m obsessed with late 90’s Meshug- gah, early Dillinger Escape Plan, and early Cult of Luna,” explains guitarist Pierre Carroz deftly about the influences behind the sound of his brainchild. Combining the sonic agility of the American math-core pioneers with the relentless ferocity of the Swedish progressive metal innovators, Herod produce a brand of heavy music that is truly face melting. Having played with le- gendary metal acts like Obituary, Napalm Death and Carcass, Herod are no strangers to the international metal scene, and it shows in the calibre of their music. Their upcom- ing third album The Iconoclast puts the full power of their artistry on display, redefining musical heaviness and atmosphere at every turn imaginable.
“The word iconoclast has had different meanings throughout history,” explains Carroz about the album concept. “In the past it meant the destruction of holy images but today it signifies the aggression towards the rule; a political, social and liberating act.” Pitting the destructive power of the iconoclasts against the oppression of the icons, Herod produce a complex, kafkaesque picture of a future world that leaves little room for hope and optimism.
The Iconoclast sees the Swiss quintet paint with a consistent palette of groovy syncopated riff- ing, heavy breakdowns, and a diversity of vocal techniques and deliveries. Using similar col- ours and textures to create many different pictures, it’s an approach that feels almost experi- mental. Like great abstract painters like Kazimir Malevich or Jackson Pollock, Herod continue to develop their technique and method throughout their oeuvre.
